Author Archive for Alexandra Pellanda

Interview of the Week 48: Hudson Shiraku, Programme Officer for Biovision in Nairobi

photo.axdHudson Shiraku works for Biovision’s Farmer Communication Programme (FCP) in Nairobi. As part of his job he keeps an eye on technological aspects of the programme activities. In our interview he explains the importance of the mobile phone in general and particularily M-Pesa, an SMS-based payment system with more than 17 million users in Kenya.


Why is M-Pesa so popular in Kenya?

Banks are seen by many as expensive to operate in terms of fees: They charge their customers for the storage and withdrawal services. Their services can only be accessed in major towns or even only in Nairobi. M-Pesa is cheap, convenient and you only need to go to one of these M-Pesa kiosks and agents.

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(Photo: Simon Kihiko Kimani)

For many Kenyans it is uneconomical to save 500 shillings in a bank when the bank’s minimum balance is 200 shillings and it costs 50 shillings to withdraw it. A phone can cost from as little as 999 to over 50,000 shillings depending on the type of phone and the person who is buying it. So the affordability of phones and the fact that they all have the same M-Pesa features have contributed to the popularity of M-Pesa.


Do Kenyans think that it’s expensive or complicated to use a mobile phone?

It is a yes and a no depending on the type of phone and the person who is using it. Some illiterate and old people who are not technologically savvy have just mustered the art of calling and receiving calls – the green and red buttons and they don’t bother about other applications. In this context, it’s not complicated but when they think of other applications it is. Expensive or not? It depends on the person who is buying it and the type of phone also.


What might happen if more and more people have mobile phones with internet connection?

I can do emailing and even search for information from the internet anytime and from anywhere. This is the kind of empowerment that people will get by this and I’m sure that they will accrue all benefits that come with it. It is usually said here that information is power.

Interview of the Week 46: Janet Maro, Agronomist and expert for organic agriculture from Tanzania

Bild 23Janet Maro runs Sustainable Agriculture Tanzania (SAT) and Bustani ya Tushikamane (Garden of Solidarity). Both projets are supported by Biovision and teach farmers in organic and sustainable agriculture. She was our guest during the Symposium which took place in Zurich last Saturday, so we could meet her for this interview.


How widespread is organic farming in Tanzania?

Tanzania has about 85,000 hectares for large scale and small scale certified organic farms. About 100,000 farmers are contracted by companies to produce organic products for export. There are about 36 companies and cooperatives which are certified to export organic products. Research on benefits of organic agriculture ecologically, socially and economically is still on-going. In Tanzania organic farming is mostly confused by traditional farming in which no inputs are used and therefore on this basis one can say that many small scale farms are organic by default. When it comes to certified organic farming, there are very few certified large scale organic farms which mostly produce coffee, cotton, cocoa, spices like lemongrass and paprika, tea and fruits. Tanzania is still behind as compared to neighbors Kenya and Uganda, the few organic products here are mostly for export.


What does the situation look like with regard to consumption?

There are very few certified organic products in the local market and they fetch more or less the same price as conventional products. This is because there are no organic shops and consumers are not aware about the existence of organic products in the local market. Experience with the few products in our demonstration garden has shown that there is a high demand for organic products. The research which we conducted on willingness to pay for organic products show that people highly appreciate safe (organic products) and are even willing to pay more. Since we are aware about this fact, we are focusing with our project activities to enhance awareness about organic products among all stakeholders (producers, buyers, consumers). For the local market, there are no standards specifically for Tanzania but the East Africa Organic Products Standards (EAOPS) can be used. These standards are existing since 2007, at the moment in Tanzania there are no small scale farmers certified.


What is the mission of Sustainable Agriculture Tanzania (SAT) and Bustani ya Tushikamane (Garden of Solidarity)?

In Tanzania many farmers are small scale and therefore different technics can be used so as to enable these farmers to have assurance of food security and income generation. My mission with the organization Sustainable Agriculture Tanzania (SAT) as a partner in development and the project Bustani ya Tushikamane (ByT) is to see that small scale farmers are able to increase their yields in an environmentally friendly way so as to be able to attain food security and improve their incomes. This is achieved through training and facilitation on sustainable agriculture. We work at the grass root level where we build up on farmers’ knowledge and get feedback.


What is your personal role?

I work in the field closely with farmers and together with the ByT team. We identify and practice simple technologies that are affordable and readily available for use in production of healthy crops and animals. We involve students from Sokoine University of Agriculture (SUA), who I work closely with, to conduct research on questions that need more detailed answers. Working in the field of sustainable agriculture and closely with farmers is a lifetime experience, there are always new plants and methods coming up, this makes my work very interesting. Being the director of SAT means that I am responsible for the smooth running of the organization, I am grateful to my colleagues who are working tirelessly towards realizing the goal of the organization. I am also very grateful to the Biovision foundation for supporting SAT and ByT.


What message would you like to get across to the audience of our Symposium?

The only way to survive and feed 9 billion people like the IAASTD report has shown is sustainable agriculture. In tropical parts of the world, specifically Tanzania, a production system which reduces costs is the most appropriate. Other production systems are expensive and not affordable by farmers and moreover they negatively influence the environment and health.

Interview of the Week 45: Pipaluk de Groot, Co-author and protagonist of “Silent Snow”

PipalukDuring our Symposium next Saturday in Zurich we will show “Silent Snow”, a film about the risks of DDT. Pipaluk de Groot, who is co-author and protagonist, will be our guest and also participates in the discussion after the screening. In this interview she shares her experiences during the production phase and after screenings around the world.


How did you and Jan van den Berg, who is director and co-author of the film, meet before the project started?

I read on the Greenlandic news online about the premiere of the short film. I had just moved to the Netherlands and was very interested in seeing a film about my own country, so I actually just contacted Jan and he invited me to the premiere. After that we kept contact and he asked me to take part in the project of the feature length documentary of “Silent Snow” – and of course I couldn’t say no to this offer.


What were the challenges or special moments during the production phase?

A big challenge was to get off from my current job, but actually they gave me unpaid leave so I could travel with Jan one week a month. This meant that we had to film in small steps, but as you can see it did work out. We did have many special moments during filming – I think one specific part was sleeping on the ice in Greenland. This was a great experience! How often do you get this opportunity? I woke up to the sound of pieces of ice breaking of a nearby glacier, that was just an amazing sound. I have slept under the sky in Greenland before and in other countries, but this experience on the ice beats it all.


What are the key messages of the films, the short version and the documentary?

The short version raised awareness about the global problem of pollution which affects us all. The feature length documentary goes more into details of the same threat by talking to people from all around the world who are fighting for a better life and a better, cleaner world. For me travelling with “Silent Snow” taught me so much, not just about other cultures but also that we can all make a difference. This is our shared world and as also stated in the film: Pollution respects no country borders. A polluting plant will not only affect the vicinity but will spread to other countries as well. This makes it clear that we all need to take action.


What reactions from the audience do you observe during or after the screenings?

I see many different reactions which also depend on where the screening takes place: One scene shows a dead seal being cut open and the reaction in Paris was people closing their eyes, whereas the indigenous audience in Costa Rica weren’t impressed by this sight. I am very proud of my heritage and I do respect people’s reactions, but the suburban consumers often don’t think about meat coming from a real animal. Often after the screenings people thank me for my work and this is very positive. It’s great to learn that all of us can make a difference and that so many people are willing to do their part.

Interview of the Week 36: Ugo Vallauri, PhD student who works with Infonet-Biovision in Kenya

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Ugo Vallauri currently undertakes training in participatory video production with Infonet-Biovision’s information officers in Machakos (Kenya). In this interview he outlines the project which is part of the field research for his PhD.


How would you define the concept of participatory video production?

Participatory video revolves around communities progressively taking ownership and control of filming equipment and of the process of creating a film, thus creating much different movies about themselves compared to what a filmmaker external to the community would be able to come up with. In the context of the project I’m working on with Infonet-Biovision’s information officers at Kari Katumani (Machakos), it might be more appropriate to talk of “semi-participatory” video making. First of all, the participation happens at the level of the information officers, who work together in creating films about the farmers’ groups they work with. At times, these are groups the information officers are part of, but in most cases they have long-lasting relationships. As a result, the movies attempt to portray the perspective of the groups filmed using Kikamba, the local language, even when they are produced by the information officers alone.


How do you teach the information officers in Machakos?

The project was inspired by the results of the evaluation of the Infonet-Biovision programme I conducted in autumn 2010. At the time, information officers – and particularly those from Katumani – had expressed an interest in using visual communication, and therefore video, in their work. As a result, the focus is on learning, more than on me teaching. I share what I know about video shooting with small camcorders and editing with free and open source software (OpenShot on Ubuntu Linux). Officers are enthusiastic about learning, and literally couldn’t wait to make films about agriculture and about their communities. Therefore, I came up with a flexible learning-by-doing approach. Information officers bring back to their information hub the clips they recorded, then proceed to edit them on a timeline. Every time they work on a new project, they learn new features: adding an additional audio track, improving on storytelling, applying a transition between two clips, etc.


How can you benefit for your PhD research?

This project is at the heart of the field research for my PhD. It is structured as a participatory research, where I am involved in two ways. As a practitioner, I share my skills in media production. As a researcher, by observing the ways in which information officers use video and the reactions to video for the farmers’ groups they work with, I can analyse the role of video in rural agricultural settings, as well as contextualize ICT divides within other rural divides, such as access to water, land or capital. The participatory element of the work is key in all phases: for example, my understanding of the realities of farming communities in rural Kenya is greatly enhanced by my close collaboration with the information officers at Katumani. Additionally, the screening of videos during interviews and focus group discussions facilitates more participatory discussions and exchanges afterwards, whether on the topics covered by the videos screened, or on the overall challenges and opportunities for the groups involved.

Interview of the Week 38: Dr. Jeremiah Akumu, Camel Expert in Kenya

DSC01388Dr. Akumu works for Vétérinaires Sans Frontières Suisse (VSF), one of Biovision’s partner organisations. They implement a camel project in the drought-prone areas of Northern Kenya which is supported by the Swiss Development Cooperation SDC (DEZA) and Biovision. SDC supported the distribution of goats and camels targeting 275 households. 105 households have already benefitted while another 170 households in the area will benefit in the course of the year. Biovision has joined in the project to support the provision of more trainings and development of training materials for camel husbandry and health.


What are the goals of the camel project?

The project aims at a longer term improvement of the livestock-based livelihoods of resource poor families affected by the recurrent droughts over the past years. A short-term strategy is to provide them with 5 female goats.


Which actors are involved in the project?

First of all there are the beneficiaries who directly gain from the project by receiving camels and training, they are mostly from the Borana community. They have formed a community restocking management committee to monitor the camels that have been distributed so far. Other actors involved are the department of livestock production, camel traders, agro-vets stores, animal health service providers and the veterinary department.


What are the daily challenges you face?

Due to the severe drought in the area there is a scarcity of browse and water for the camels. The herders have to go into inaccessible and unusual areas to feed their animals so the herds become difficult to monitor. Another challenge is that the beneficiaries and the general community are so eager and are demanding more trainings to learn more about camels than we can provide at the moment.


What is special about working with camels?

A camel requires more attention than cattle. You have to know about camel husbandry to care well for the animal. Also, the camel is a new animal in the areas that we are currently working in. People have developed an interest in camels, but there is little ethno-veterinary knowledge for camels as there is for cattle. For example for cattle, people know which plants or treatments to use for diseases, but they don’t know that for the camels. Thus most diseases are not easily identified by local knowledge. This is why we have to train people and build their capacity in camel husbandry and camel health.